Tag Archives: romcom

343 – The Apartment

Listen on the players above, Apple Podcasts, Audible, Google Podcasts, or Spotify.

As Birmingham’s Electric reopens following a protracted period of uncertainty as to whether it was gone for good, it turns to a programme of classics to invigorate its audience. We catch The Apartment there, Billy Wilder’s dark romantic comedy, which Mike has never seen and José not for years, to discuss corporate alienation, whether the suicide story structure works, the cynicism in Wilder’s work and his personal history that it can be seen as a product of, the appeal of Jack Lemmon and Shirley MacLaine, and the takers, those who get took, and the mensches.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

255 – The Shop Around the Corner and You’ve Got Mail

Listen on the players above, Apple Podcasts, Google Podcasts, or Spotify.

One a great masterpiece of cinema, the other a cultural icon of its day, we compare and contrast Ernst Lubitsch’s The Shop Around the Corner with Nora Ephron’s technologically updated remake, You’ve Got Mail. We discuss how each film treats its conceit of two people who dislike each other unwittingly falling in love over anonymous correspondence, the former film’s couple hating each other less vitriolically, the latter giving us more insight into the details of their messages; the latter making their story the entire focus, the former handling it as the main part of a range of stories that take place amongst its characters.

We consider whether James Stewart’s Alfred and Tom Hanks’s Joe are nice people, and what the films’ endings have to say about them and the women they fall for. José focuses on the films’ approach to class and power, praising The Shop Around the Corner‘s portrayal of working people and decrying You’ve Got Mail for barely even seeming to notice its uncritical acceptance of corporate power. And we consider more besides, including how Lubitsch’s camera makes a static setting evocative and expressive, that Godfather bit, and the similarities and differences in Hanks and Stewart’s often-compared personas.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

133 – It Happened One Night

It’s Valentine’s weekend and we take a romantic trip to The Electric Cinema to see It Happened One Night, Frank Capra’s 1934 romantic comedy that is one of only three films to win all Big Five Oscars (Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay). As usual, Mike hasn’t seen it before, while José’s seen it plenty. Does it hold up?

José talks of its democratic appeal, set largely in the American South during the lowest point of the Great Depression and showing people coming together despite hardship, lack of work and even fainting from hunger. We discuss the development of the relationship between Clark Gable and Claudette Colbert, including the wisdom of sharing a motel room with a man you just met, the propriety depicted (such as forgoing a lucrative reward, instead only claiming your expenses), and of course, the madness of Alan Hale’s singing.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.