Tag Archives: Armie Hammer

345 – Death on the Nile (2022)

Listen on the players above, Apple Podcasts, Audible, Google Podcasts, or Spotify.

The latest in a long line of star-studded adaptations of Agatha Christie’s murder mysteries, Death on the Nile sinks without trace under the weight of Kenneth Branagh’s all-consuming ego. Failing to understand that one of the pleasures of such films is the attention given to the impressive cast, he instead gives his focus entirely to his own performance as Poirot, engaging in mythmaking and heroics at the expense of everybody else. In its limited capacity, the focus on Poirot in Murder on the Orient Express worked for Mike – here, there’s no defending it.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

117 – Sorry to Bother You

A surprising, imaginative comedy full of dark twists and scathing observations, Sorry to Bother You fires us up. There’s so much going on in it that we love. It builds a forceful critique of modern capitalism, drawing on black stereotypes, animal imagery, and factory cities to develop a thesis of 21st century capitalism as thinly veiled slave labour. Everything is available for commodification and absorption by the establishment; the system is able to tolerate dissent by co-opting it. But there is a vital resistance movement, embodied exceptionally by the coruscating Tessa Thompson, and though the film depicts a deeply unfair world in which power is entrenched, there is plenty of room for hope and joy, even through something as simple as a sigh when confronted with the latest absurdity.

The film is a kaleidoscope of ideas, always on its toes, always unpredictable, absolutely restless, and although we feel it lacks a certain visual finesse and overall coherence, the benefits of its madnesses far outweigh their costs.

Hugely recommended.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

40 – Call Me by Your Name

José revisits Call Me by Your Name, Luca Guadagnino’s romantic Bildungsroman, and re-evaluates it, both seeing some flaws where he initially hadn’t and also continuing to appreciate it in ways he had. It’s Mike’s first time seeing it, and he appreciates it from a distance but is primarily consumed with rage at his own lack of any type of this fun during his teenage years. And to make matters worse, José tests him on his knowledge of Judaism, revealing him to be a fraud of a Jew.

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.