Tag Archives: Luca Guadagnino

295 – Suspiria (1977) and Suspiria (2018)

Listen on the players above, Apple Podcasts, Google Podcasts, or Spotify.

We explore Dario Argento’s Suspiria, his 1977 horror classic, and its loose remake by Luca Guadagnino, from 2018. We’ve never seen either, although Argento’s film casts a long shadow – those who’ve seen it never forget it, and it’s easy to see why. Its visual design is bold, imaginative and beautiful, the images it creates extraordinary, its violence heightened and wild. José loves it, literally wowed by it, captivated by its cinematic flair and interesting casting. But, Mike argues, it’s a film that offers nothing beyond the aesthetic, uninterested in its own characters or story, which leaves him cold.

Our responses to Guadagnino’s remake are reversed entirely. For Mike, it’s superior: ambitious, keen to mine the threadbare original for thematic depth, and laudably attempting to weave together generational guilt, dance, institutional corruption and women’s bodies into a complex tapestry, although one which requires too much audience participation to complete. José thinks he’s giving a pretentious work of ego far too much credit, is turned off by the dance scenes, annoyed at the lack of connection he finds between its wider themes and central coven, angered by its grey, wintry colour palette and dry cinematography… in fact, he’s angered by all of it! Now he knows how his friends felt as he valiantly tried to argue them into appreciating Guadagnino’s Call Me By Your Name, which he loved, but which many of them greeted with similar hostility.

The original a cult classic, its remake a very different take on the core premise – both are worth watching. But if our responses are anything to go by, your mileage may vary considerably.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

40 – Call Me by Your Name

José revisits Call Me by Your Name, Luca Guadagnino’s romantic Bildungsroman, and re-evaluates it, both seeing some flaws where he initially hadn’t and also continuing to appreciate it in ways he had. It’s Mike’s first time seeing it, and he appreciates it from a distance but is primarily consumed with rage at his own lack of any type of this fun during his teenage years. And to make matters worse, José tests him on his knowledge of Judaism, revealing him to be a fraud of a Jew.

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.