The latest in a long line of star-studded adaptations of Agatha Christie’s murder mysteries, Death on the Nile sinks without trace under the weight of Kenneth Branagh’s all-consuming ego. Failing to understand that one of the pleasures of such films is the attention given to the impressive cast, he instead gives his focus entirely to his own performance as Poirot, engaging in mythmaking and heroics at the expense of everybody else. In its limited capacity, the focus on Poirot in Murder on the Orient Express worked for Mike – here, there’s no defending it.
Remaking his own film, Hans Petter Moland brings us a revenge thriller, starring – who else? – Liam Neeson as a model citizen turned remorseless killer on the trail of those responsible for his son’s murder. Sounds like typical Neeson fare, but Cold Pursuit leaps between dramatic and blackly comic tones with verve, and offers something much more interesting and original than you’re likely to expect.
We find lots to like in it, including its magnificent lighting and compositions, interesting and welcome inclusion of a group of Native American characters, as well as a commentary on their relationship to the very whitest America there is (the film being set in a Colorado ski town), and some surprisingly tender moments between adults and children, and people in love.
We highly recommend it, it’s a huge amount of fun!
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