Tag Archives: Sam Raimi

355 – Doctor Strange in the Multiverse of Madness

Listen on the players above, Apple Podcasts, Audible, Google Podcasts, or Spotify.

Marvel’s invasion of the multiverse is now well under way, and in Doctor Strange in the Multiverse of Madness this dense network of alternate realities sets the stage for a race to save – what else? – the world. Which world? Dunno. Our world, the most important one, at least, but maybe all the others too.

While director Sam Raimi has history with superhero movies, having helped to bring the genre to a new maturity with his Spider-Man trilogy, it’s his low-budget horror experience he brings to bear on the MCU – there’s more than a little Evil Dead in here. It’s surprising and invigorating, and the low-rent, rough and ready feel it conveys integrates well with the expensive computer-generated embellishments we’re used to from Marvel. Multiverse of Madness is visually dazzling.

Sadly, it’s not dazzling anywhere else, its plot overstuffed, its thematic through lines unsatisfying and problematic. It relies quite heavily on specific knowledge obtained from previous films and television programmes in the series; the less of that context you have, the less this story will mean to you. And magic and the multiverse are quickly becoming the cheap, mechanical get-out clauses they’ve always had the potential to be, rather than thought-through, coherently applied storytelling elements: write yourself into a corner? Make up anything you like! Magic and multiverse can paper over any cracks your plot might have. The result is a disappointingly joyless experience whose visual splendour can only fleetingly distract from some fundamental issues with the story and themes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

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100 – Venom

Venom utterly charms the pants off us, its bizarre knockabout body horror surprising us with a great sense of humour and unexpected variations on the idea of a dweeb made more masculine. From the trailer, Mike was worried about the broadness of Tom Hardy’s accent – actually, it’s tonally perfect as broadness is exactly what the film is going for in every respect, in the very best way.

Hardy is superb, giving his all to a role that demands physical dexterity and comic ability; the CGI bowls José over; the sense of Hardy’s body being shared by another physical entity, rather than being merged with it, is tactile and interesting. Mike’s also been watching the Sam Raimi Spider-Man trilogy recently, in which Venom appears, and holds court on a trend in the villains he sees Venom as adhering to. And the dog is so funny.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.