Venom returns after his surprisingly enjoyable, if trashy, 2018 solo debut, but we don’t find much of a way to have fun with this sequel. Its cast is underserved by both the direction and screenplay, Tom Hardy appears to want to be seen as a slob, there’s not a memorable shot throughout, and most of the comedy, while promising in principle, falls flat. Mike asks where the real carnage even is, the film scared to show anything even cartoonishly gory, while José decries the carnage generally present in American cinema in general, this film, like so many, unable to conceive of a way to generate excitement without blowing things up and causing destruction.
Venom utterly charms the pants off us, its bizarre knockabout body horror surprising us with a great sense of humour and unexpected variations on the idea of a dweeb made more masculine. From the trailer, Mike was worried about the broadness of Tom Hardy’s accent – actually, it’s tonally perfect as broadness is exactly what the film is going for in every respect, in the very best way.
Hardy is superb, giving his all to a role that demands physical dexterity and comic ability; the CGI bowls José over; the sense of Hardy’s body being shared by another physical entity, rather than being merged with it, is tactile and interesting. Mike’s also been watching the Sam Raimi Spider-Man trilogy recently, in which Venom appears, and holds court on a trend in the villains he sees Venom as adhering to. And the dog is so funny.
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