Tag Archives: comedy

34 – Jumanji: Welcome to the Jungle

Boy oh boy, there’s a lot to talk about, and the word of the day is denial. Specifically, Mike’s unspoken, subcutaneous, existential denial that 1995’s Jumanji is crucially meaningful to him, because how else can you explain the tension in the air as he grapples with the simple question, “Do you recommend the new Jumanji?” Ironic, really. The new Jumanji depicts characters who are forced to confront harsh truths about themselves, and in doing so forces Mike to confront the fact that he can talk about Jumanji for an hour with very little prompting.

And that new Jumanji provides a surprising amount of food for thought. We discuss how the film uses and satirises videogames, how much it made us laugh, the Jonas Brothers, Mike being a sucker for a happy ending as usual and José rolling his eyes, the stereotypes from which the central characters are built, how the film has its sexist cake and eats it, the ways the stars play off each other and suit their roles, aspects of performance, the muddled nature of the world and fundamental change in the characters’ relationship to it, how much harder it is to play videogames than it is to watch films, moviegoers’ over-investment in films from decades past, and last year’s Power Rangers movie.

And it’s a name-heavy edition of the podcast, with José getting names wrong left, right, and centre, and a final, authoritative correction of our pronunciation of Jia Zhangke’s name. (Thanks to Sam and Jessy Stafford for their contributions.)

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

24 – The Disaster Artist

Cinema’s biggest in-joke is dramatised in James Franco’s fan project about the worst film ever made. We discuss the mean-spirited nature of finding films so bad they’re good, the lack of direction in The Disaster Artist, the quality of Franco’s central performance, and why we find the film so self-indulgent.

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

22 – Paddington 2

Paddington returns to cinemas with a whimsical puff of upper middle class smoke from a lovely old warm cosy steam train. How nice. Mike wasn’t really looking forward to this.

So. Did he make it through Paddington 2? What do we make of the vision of Britain it constructs? How does its action outperform Justice League‘s? Is it fair to think of it as just Wes Anderson but somehow even more revoltingly cutesy? Is there anything wrong with outrageous accents? Isn’t Hugh Grant great, honestly?

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

14 – The Party

Sally Potter’s all-too-brief comedy drama polarises us, which makes a nice change to the agreements we’ve been having recently. Is it smug or knowing? Is its range of incongruous acting styles engaging or distancing? Who knows. But Sally Potter is very very very important in British cinema and feminism and queer representation, says Jose, who then has the nerve to criticise The Party for having its right-on cake and eating it.

Includes a reminiscence of seeing a man stand up in a screening of I, Daniel Blake and a magic trick where Mike convinces Jose he possesses an extraordinary memory.

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

13 – The Death of Stalin

How does Armando Iannucci’s newest political satire fit in to his work over the last decade? Isn’t it a joy to see Michael Palin? How did we ignore how beautifully crafted Jeffrey Tambor’s performance is? How can I single out any one performance?

We take our time admiring this daring, witty and surprising farce. It’s Animal Farm on speed.

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

3 – American Made

Is it possible for a film about drug smuggling, weapon dealing, CIA-sponsored militias and getting ludicrously rich to be in any way immoral? Find out as we tolerate American Made so you don’t have to.

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

2 – The Hitman’s Bodyguard

Can an action film that goes through Coventry be any good? Is it important that action scenes are funny? Is Gary Oldman a whore? All valuable questions. All answered in our chat about The Hitman’s Bodyguard. I think.

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.