(Mind out for spoilers, we don’t do a good job of warning of them here. After the plot synopsis at the beginning, expect spoilers throughout.)
Pixar’s extraordinarily vivid, rich Coco tells the story of a young Mexican boy who dreams of life as a musician, stranded in the Land of the Dead. Themes of sacrifice for family, liberation and expression through music, remembrance and commemoration of loved ones and more are explored, and a culture that is typically ignored or stereotyped – or walled off if a certain someone has his way – is allowed to explode onto the cinema screen. It’s as warm, funny, and imaginative as anything you’ll see all year, and we adore it.
José is reminded of his dear abuelita. Mike cries.
The podcast can be listened to in the player above or on iTunes.
Paddington returns to cinemas with a whimsical puff of upper middle class smoke from a lovely old warm cosy steam train. How nice. Mike wasn’t really looking forward to this.
So. Did he make it through Paddington 2? What do we make of the vision of Britain it constructs? How does its action outperform Justice League‘s? Is it fair to think of it as just Wes Anderson but somehow even more revoltingly cutesy? Is there anything wrong with outrageous accents? Isn’t Hugh Grant great, honestly?
The podcast can be listened to in the player above or at this link.