Tag Archives: Kristin Scott Thomas

35 – Darkest Hour

A chamber piece about history which evokes a combination of Rembrandt and an old photograph. We discuss how Joe Wright might be getting short shrift as a director and the excellence of the performances: Gary Oldman, Kristin Scott Thomas, Ben Mendelsohn and Lily James are all marvellous. We discuss how the film is not the life of Churchill but a few defining weeks in his life, and how it depicts the political side of the chaos in Nolan’s Dunkirk.

Mike highlights how the cemeteries of Belgium and northern France tell a very different story from the official one in relation to Britain’s ‘going it alone’ in the two World Wars, and declares that one scene of clearly fabricated fantasy undermines any notion of historical verisimilitude. We discuss how the film’s emotional manipulations are cheap but how one finds oneself responding to the film’s jingoism. We are in agreement that Nigel Farage wants to be Oldman’s man-of-the-people Churchill – the entire film is rather Brexity.

José would really like to see a film that focuses on the relationship between Clemmie and Winston, played of course by Scott Thomas and Oldman, and there’s a wonderful volume of letters full of sketches of kitties and piggies called Speaking For Themselves that he wishes someone would draw on for a film. (He didn’t say that in the podcast but he wants to make it known here.)

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

14 – The Party

Sally Potter’s all-too-brief comedy drama polarises us, which makes a nice change to the agreements we’ve been having recently. Is it smug or knowing? Is its range of incongruous acting styles engaging or distancing? Who knows. But Sally Potter is very very very important in British cinema and feminism and queer representation, says Jose, who then has the nerve to criticise The Party for having its right-on cake and eating it.

Includes a reminiscence of seeing a man stand up in a screening of I, Daniel Blake and a magic trick where Mike convinces Jose he possesses an extraordinary memory.

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.