José falls in love with Widows, a portrait of life and survival in modern America in the skin of a heist film. Mike can see exactly why he should love it, but just doesn’t click with it.
Based on Lynda La Plante’s 1983 ITV series of the same name, Widows sees three women lose their criminal husbands in a heist gone wrong, and their attempt to complete their final job with the promise of a big payoff. The film draws parallels between urban gang violence and entrenched political dynasties, complicates the widows’ grief with sex and intimacy, and constructs the potential payoff not as a cause of celebration but as a way out of bad situations. José finds the film a visual marvel, layered and expressive, but to Mike it’s more a reminder of what he loved so deeply about You Were Never Really Here than great in its own right.
The podcast can be listened to in the players above or on iTunes.
Lynne Ramsay’s You Were Never Really Here tells a story of vigilante justice with a tapestry of elliptical editing and interwoven flashbacks. We consider its themes, the deliberate way it depicts or conceals violence, the effect of trauma on its protagonist and his need for human connection. It’s a complex, almost ergodic film, that requires attention, rewards visual literacy, and yields great pleasures. We love it.
We also praise Amazon Studios for respecting the theatrical release window, and round off by discussing the recent Oscars.
The podcast can be listened to in the player above or on iTunes.