Tag Archives: Wes Anderson

326 – The French Dispatch

Listen on the players above, Apple Podcasts, Audible, Google Podcasts, or Spotify.

The French Dispatch, Wes Anderson’s love letter to The New Yorker, is, as you might expect, a charming way to pass a couple of hours – but not as funny or as tight as we might like, and certainly a disappointment in the light of his last two films, The Grand Budapest Hotel and Isle of Dogs (although, in fairness, reaching those heights even twice, let alone a third time consecutively, would be a big ask for anybody). Still, despite The French Dispatch‘s pleasures, some gorgeous imagery and a terrific, star-packed cast, we’re left asking what it’s all about, really – is it more than a vaguely diverting trifle based on Anderson’s favourite publication? And why can’t an ode to an icon of American sophistication be set in America?

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

54 – Isle of Dogs

Wes Anderson’s Isle of Dogs is a stop-motion story of the utmost beauty and wit. We discuss its cinematography, compositions, lightness of touch, allegorical relationship to reality, and place in Anderson’s body of work. We also reserve particular praise for Bryan Cranston’s vocal performance and Alexandre Desplat’s score.

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.