Tag Archives: Steven Soderbergh

218 – Contagion

Listen on the players above, on Apple Podcasts, or on Spotify.

We may be living under lockdown conditions, but no virus can stop us, and to prove it we’re taking on Steven Soderbergh’s 2011 thriller Contagion, about a virus that rips through every country on Earth, the scientific work to stop it, and the social decay that it leaves in its wake. Suggested as a podcast by an irony-seeking Mike, it backfires as it actually just frightens him.

At least, for a while. We think about the film in the context of the COVID-19 pandemic currently upon us, of course, praising what we recognise in the film’s imagined crisis, remarking upon the differences. Much of what it depicts feels very true to life, and it strongly evokes panic and a sense of uncertainty; on the other hand, the difference less than a decade makes is thrown into sharp relief with the film’s essentially competent and well-intentioned government response to the disease, a far cry from the lies and bluster being spouted by certain American presidents today – something that would have been not only unimaginable but laughable at the time of the film’s release. José notes that a high proportion of the public worry in our current outbreak comes down to its economic effects, which again, Contagion does not imagine as even a minor point.

It’s a well-made film, tightly plotted and paced, juggling several plots and sets of characters, understanding keenly how and when to jump between them, and its staging, editing and cinematography bring to life the paranoia of living in a society in which any surface innocently touched by any stranger’s hand could spread a deadly disease, and the fear and confusion engendered by a lack of trust in the government and loud countervailing voices. Contagion uses its characters and scenes as representative of ideas as much as, or more than, things in and of themselves, which Mike argues leaves it emotionally distant and overly simplistic – though there’s plenty of room for debate, particularly over Matt Damon’s performance.

All in all, Contagion is an impressive piece of thriller fiction whose successes and failures are both given oxygen in the light of very recent developments. If you watch it, be prepared to be made even more paranoid than you currently are… because the world we’re living in now is even more insane.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

68 – Ocean’s 8

The all-female reboot of the Ocean’s franchise sees Sandra Bullock and Cate Blanchett leading a team of women to infiltrate and rob the Met Gala. We discuss how the heist failed to meet our expectations, the weak integration of Ocean’s personal motivation, and the underwhelming displays of glamour, but we find things to like, including Anne Hathaway’s performance in particular and how the film depicts the characters eating. But ultimately we’re left with the question: If a woman can’t get the job directing a film like this, just what is she allowed to direct?

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

55 – Unsane

A low-budget psychological thriller, Unsane is a less involving film than its subject matter and star deserve. Claire Foy is extraordinarily powerful as a paranoid prisoner of mental trauma inflicted on her by a stalker and bureaucratic malfeasance, distressed, knowing, sarcastic, resistant. The film fails her in other areas but is an intriguing experiment nonetheless, and we find much to discuss, including its cinematography, relationship to termite art, and potential audiences.

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.