Tag Archives: Ridley Scott

329 – House of Gucci

Listen on the players above, Apple Podcasts, Audible, Google Podcasts, or Spotify.

A true story of love, ambition, passion, betrayal, and retribution, House of Gucci is entertaining, interesting, and beautifully played… so why isn’t it good enough? We discuss its lack of seriousness of purpose, its failure to express itself with visual flair and use the camera to show us things we really need to see, and how it would have benefitted from giving Lady Gaga’s Patrizia the unambiguous spotlight, rather than making her part of an ensemble. House of Gucci is a film that we have no problem recommending, but given everything it could have been, to come away feeling like it’s a trifle is disappointing.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

323 – The Last Duel

Listen on the players above, Apple Podcasts, Audible, Google Podcasts, or Spotify.

Don’t believe the trailer, which gives a poor impression of what’s in store: Ridley Scott’s latest historical epic is lighter on the action than you’d expect, and, for a blockbuster, formally adventurous. Based on true events that took place in 14th century France, The Last Duel tells the story of a lifelong feud and a sexual assault… then it tells it again, and then once more. Three perspectives are brought to bear on the events, those of Jean (Matt Damon), a soldier and vassal; Marguerite (Jodie Comer), his wife and the daughter of a treacherous lord; and Jacques (Adam Driver), his oldest friend, and squire to a count – each controls a third of the film, shaping the story as they understand it. It’s an ambitious project, drawing consciously on narratives and discourses around patriarchy and sexual assault whose importance to our cultural conversation have become increasingly established in recent years – but does it work?

Richard Brody’s review of the film in the New Yorker helps to shape our discussion, and can be found here: https://www.newyorker.com/culture/the-front-row/the-last-duel-reviewed-ridley-scotts-wannabe-metoo-movie

With José Arroyo of First Impressions and Michael Glass of Writing About Film.