Tag Archives: Michelle Pfeiffer

304 – French Exit

Listen on the players above, Apple Podcasts, Google Podcasts, or Spotify.

An offbeat, gentle, surreal, intriguing and slightly camp comic drama, French Exit is a pleasant surprise for us both. Michelle Pfeiffer’s widowed heiress, reduced to selling her late husband’s property, takes what’s left of her life – her cat, adult son, and attitude – to an apartment in Paris, where she resolves to spend her remaining money before ending her life. Sounds hilarious.

And indeed it is, its director, Azazel Jabocs, demonstrating a mastery of tone. We discuss what makes the film work, its visual design, its relationship with and attitude towards money, how that campness José perceives is kept subdued, and more. French Exit isn’t a perfect film by any means, but it is a good one, and a charming way to spend a couple of hours.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

78 – Ant-Man and the Wasp

The sequel to 2015’s Ant-Man maintains that film’s lightness of tone, happily comic sensibility, and fabulously enjoyable visual effects. So often today we take exceptional effects work for granted but the conceptualisation and realisation of the images in Ant-Man and the Wasp make you notice, make you remark upon them. We had a great time.

We find room for nitpicks, of course, with José expressing irritation with Ant-Man’s malfunctioning suit and Mike finding the quantum realm too vague to provide real jeopardy, but our quibbles are minor. It’s a lovely film, it got big laughs from the audience, and even gasps at one notable point. You should see it!

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

5 – mother!

What is Darren Aronofsky’s latest fever dream all about? Is the negative audience response fair? How good is Jennifer Lawrence, seriously you guys?

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.