Tag Archives: French

63 – Custody

This week we go arthouse and discuss Xavier Legrand’s first feature, Custody (Jusqu’à la garde), though ‘arthouse’ perhaps only in the sense that it’s subtitled. In some ways, the film is shot in a realist style, halfway between British kitchen sink drama and the Dardennes’ more leisurely, microscopic style. The film revolves around a couple in the process of divorce battling for custody of their young son. The boy wants to stay with his mother. Has he been coached? Is his mind being poisoned against his father?

We discuss how the first section is basically an exposition of the law where the father is surrounded by women, how the film initially orchestrates the audience’s sympathy around the father, and how this changes as the film unfolds. Is the film a critique of male privilege? Why is it so unpleasant so watch? Is it material that television handles better? What’s the point of putting an audience through this type of experience? We both adore Denis Ménochet as the father but really praise the whole cast. José loved it; Mike did not. The conversation as to why this is so occupies much of the second half of the podcast.

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

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62 – 120 BPM

Jose has been obsessed with 120 BPM and was very keen to hear what Mike, who is much younger and not gay, thought of it. Is his obsession due to purely personal reasons – the film seems to reflect a part of his youth – or is the film actually as good as he thinks it is? Is it a niche film or does it have meanings and feelings to communicate to a broader audience? Is the movie really great or is just it something Jose’s particularly vulnerable to weeping at the mere thought of?

We talk about it in relation to Matthew Lopez’s The Inheritance, currently on at the Young Vic in London. We also discuss the film as ‘director-as-editor’ filmmaking. We agree that despite the film’s length – almost the same as Infinity War! – there’s not a moment we’d cut. We discuss the opening sequences, all meetings, political actions, and introductions of characters; we agree that the sex scene in the hospital is one of the best ever filmed. Sex and desire in the film is always on the table and we discuss how it takes on different meanings. We also touch on film form but always only as a way of understanding what the film shows in a historical context.

Luckily for Jose, Mike liked it and was not sorry he’d bullied him into seeing it.

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.