Tag Archives: Barry Keoghan

375 – The Banshees of Inisherin

Listen on the players above, Apple Podcasts, Audible, Google Podcasts, or Spotify.

Playwright and filmmaker Martin McDonagh, best known in cinema for his breakthrough comedy-drama In Bruges and, most recently, the critical and financial success of Three Billboards Outside Ebbing, Missouri, on which we podcasted twice, reunites with the stars of the former for an exploration of a male friendship, its dissolution, and the subsequent fallout.

The Banshees of Inisherin offers something of a chamber play: it might not be set in a single room, but the titular island of Inisherin is isolated, barely populated, and promises little by way of escape or a future. Brendan Gleeson’s Colm begins to feel this keenly, and abruptly declares his hitherto long friendship with Colin Farrell’s Pádraic over, intending to devote his life to his music. We discuss how depression might play into his actions, the role of the island in inhibiting ambition, the difficulty an intelligent actor has in playing dumb, the balance of comedy with drama in comparison with McDonagh’s other films, the peculiar masculinity of the way the breakup plays out, how the story might be seen as a modern myth, and how convincing the sense of place is.

There’s a lot to admire about The Banshees of Inisherin, which is arguably McDonagh’s best film, and (equally arguably) his least flawed – which sounds like damning with faint praise for a filmmaker whose work is typically interesting and novel, admittedly, but those flaws have sometimes cast large shadows over otherwise wonderful work (looking at you, Three Billboards). Here, such issues are easier to accept, and it’s consequently easier to enjoy the film’s achievements. In short – see The Banshees of Inisherin.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

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91 – American Animals

An imperfect combination of documentary and dramatisation, American Animals gives us a lot to talk about. Its story of four college students embarking on a heist raises ideas of privilege, ambition and hope (or lack thereof), self-image, and above all, masculinity. In its self-conscious invocation of the kinds of films twenty-something white guys adore, such as Fight Club and Reservoir Dogs, American Animals builds a portrait of the modern young man with which Mike sympathises but which José cannot tolerate.

Neither of us finds the film without deep flaws, and indeed we could not claim to have really enjoyed it. But it is valuable and leads to a lively debate. We use the phrase “American masculinity” a lot without burdening ourselves with defining it, and Mike observes that all films with American in the title are full of themselves.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

17 – The Killing of a Sacred Deer

The Killing of a Sacred Deer becomes a kind of litmus test for our morality. Mike finds Barry Keoghan’s vengeful teen hateful; to José, he’s a hero. This is a film that, under discussion, opens you up more than you are able to open it up.

The podcast can be listened to in the player above or at this link.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.