377 – Black Panther: Wakanda Forever

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The sequel to the best Marvel film by far has to deal with tragic circumstances – the star of the first, Chadwick Boseman, died at the age of 43 in 2020. His role was not recast; instead, Black Panther: Wakanda Forever shows us the funeral of his character, T’Challa, and his sister, Shuri’s, difficulty in dealing with his death. Letitia Wright, playing Shuri, has primarily been a source of comic relief in the MCU until now – we discuss how she copes with the dramatic heavy lifting now required of her.

Despite the foregrounding of Shuri, Wakanda Forever is reliant on an ensemble, and quite a radical one, as José puts it: the story of a male superhero has been adapted to feature a group of women in his place, and what’s perhaps most remarkable is how the film does it without the feeling of overt messaging and tokenism that is often present in tentpole films that do something similar. And the villain, Namor, has been given an ethnic background José assures Mike was never present in the comics, his new Mayan origins and historical conflict with the conquistadores allowing for his underwater civilisation to mirror Wakanda.

While memorialising Chadwick Boseman, Wakanda Forever is able to see a future following the loss of his character. That it would deal with Boseman’s death with tact and sensitivity wasn’t in doubt, but that the world of Black Panther could thrive without him was, and this sequel shows that it’s certainly capable of doing so.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

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