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A chamber piece that asks what happens when your life of carefully constructed lies is exposed, Shiva Baby is a smart, tense comedy set in that most aggravating of situations: the funeral, in which you’re forced to be judged by lots of people you want to avoid but aren’t allowed to kick up a stink. We discuss debut writer-director Emma Seligman’s handling of the story’s shifts in tone, in particular how she intensely ekes out tension; the light in which it depicts its women, who bookend scenes with sarcastic off-screen barbs and gossip; and the main character’s relationship to technology, and how her use of it to seek power is a double-edged sword.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.