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Reminding José of 1970s auteur exploitation movies and Mike of The Twilight Zone, M. Night Shyamalan’s Old confines its characters, and most of its action, to an isolated beach at a high-class tropical resort. As you might expect with Shyamalan, it’s best seen with little advance knowledge, as the plot twists and turns, revelations throwing previous events into new light.

But we do, indeed, encourage you to see it – it’s perhaps the most entertaining film Shyamalan’s made in some time, and although his dialogue isn’t the finest you’ll ever hear, his camerawork is some of the most interesting. He’s a director who always seeks an interesting or expressive composition, who isn’t satisfied with shot-reverse shot, and his enthusiasm for the image is infectious. Some things could be better – some dramatic moments could be heightened, and it’s a fairly thin film that may not reward a second viewing, when there’s no hope of surprise. But the first viewing is an engrossing one, and we recommend it.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.