A weird failure, as Mike puts it, we struggle a little bit to get a read on First Man, Damien Chazelle’s biopic of Neil Armstrong. Not content to adopt a mainstream tone, not willing to go full art movie, it gets lost in the middle somehow. Mike sees Armstrong as incongruously passive in his own story, his – and, for that matter, everyone else’s – drive for the Moon light, not believable, ultimately making the landing scene feel cheated, the film trying to convince you of the incredible achievement of the mission only at the last minute.
José finds aspects of the plot interesting, particularly the portrayal of marriage, but sees the use of the daughter as disjointed. Mike finds the film misunderstands Ryan Gosling’s style – his minimalism requires rich surroundings off which to reflect, and with so little here, Armstrong comes across blank. We appreciate the physicality of the space sequences, shot almost entirely with close ups on interiors, though the extension of the shaky cam to the rest of the film is irritating.
A confusing film that we find misguided, and a glance at its opening weekend box office doesn’t bode well. Claire Foy is very good though.
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With José Arroyo of First Impressions and Michael Glass of Writing About Film.